Bruckner: Symphony No. 7 & Bates: Resurrexit DSD512

Bruckner: Symphony No. 7 & Bates: Resurrexit DSD512网赚项目-副业赚钱-互联网创业-资源整合HIRES SHOP
Bruckner: Symphony No. 7 & Bates: Resurrexit DSD512
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规格5 首
流派古典乐
类别管弦乐
发布2024-03-28
公司Reference Recordings
默认解压密码CNHIFICOM
付费资源
Exclusively available at NativeDSD in Stereo and 5 Channel Surround Sound DSD 256, DSD 128 and DXD plus Stereo DSD 512 from the 32 Bit DXD Edit Master Files!

In the latest release in the Fresh! series from Reference Recordings, conductor Manfred Honeck and the Pittsburgh Symphony Orchestra present Bruckner: Symphony No. 7 & Bates: Resurrexit.

On September 23, 1881, Bruckner began work on his Seventh Symphony, just twenty days after finishing his Sixth Symphony. The first and third movements were written first, followed by the second and finally the fourth, with the full symphony completed on September 3, 1883 in St. Florian. The Seventh Symphony was premiered on December 30, 1884 in Leipzig, Germany under the direction of Arthur Nikisch, conductor of the Leipzig Gewandhaus Orchestra and later chief conductor of the Berlin Philharmonic.

The question has often been raised whether Bruckner’s symphonies are best viewed through a spiritual or intellectual lens. For me, it is impossible to separate one from the other, as I see the symphonies as a total work of art. To experience Bruckner only from an intellectual perspective would somehow diminish the rich spiritual power and deep meaning within the music. Similarly, to reduce Bruckner’s music to the spiritual alone, devoid of skill and mastery, would be superficial.

01. Bruckner  Symphony No. 7 – I. Allegro moderato DSD 512fs – 2ch.dsf
02. Bruckner  Symphony No. 7 – II. Adagio DSD 512fs – 2ch.dsf
03. Bruckner  Symphony No. 7 – III. Scherzo – Trio DSD 512fs – 2ch.dsf
04. Bruckner  Symphony No. 7 – IV. Finale DSD 512fs – 2ch.dsf
05. Resurrexit DSD 512fs – 2ch.dsf

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