01. Deficiat in dolore, LV 977
02. Anonymous Al pie del duro sasso
03. Lagrime di San Pietro No. 1, Il magnanimo Pietro, LV 1005
04. Lagrime di San Pietro No. 2, Ma gli archi, che nel petto, LV 1006
05. Le lagrime pel peccatore Vergine, se pietate
06. Le lagrime pel peccatore Le lagrime, i sospiri
07. Lagrime di San Pietro No. 3, Tre volte haveva, LV 1007
08. Lagrime di San Pietro No. 4, Qual’a l’incontro, LV 1008
09. Lagrime di San Pietro No. 19, Queste opre, LV 1023
10. Le lagrime del peccatore La morte è morta
11. Le lagrime del peccatore La vita è breve
12. Le lagrime del peccatore Svegliati omai
13. Le lagrime del peccatore Chiudi gli orrechi
14. Lagrime di San Pietro No. 10, Como falda di neve, LV 1014
15. Lagrime di San Pietro No. 12, Quel volto, LV 1016
16. Lagrime di San Pietro No. 9, Chi ad una ad una, LV 1013
17. Le lagrime del peccatore L’anima mia, signore
18. Le lagrime del peccatore Hore che’l ciel et la terra
19. Le lagrime del peccatore La morte di colui
20. Le lagrime del peccatore la croce già fù
21. Lagrime di San Pietro No. 21, Vide homo, LV 1025
22. Anonymous O sacro santo legno

This recording, made at Noirlac Abbey in January 2025, is dedicated to Denis Raisin Dadre, who passed away suddenly on September 29 of the same year. With Doulce Mémoire, the ensemble he founded in 1989 and with which he brought Renaissance music to the world, Denis directed the production of this album from start to finish. In the booklet, he writes: “The Lagrime di San Pietro and Lagrime del peccatore both deal with a subject rarely encountered in musical settings: Peter’s denial of Jesus. Furthermore, each is the swan song of its composer. Munich, 1594. In the last year of his life, Orlando di Lasso composed his masterpiece, the apogee of Renaissance counterpoint and musical eloquence. Ferrara, 1586. Lodovico Agostini published his final work, whose language sought above all to move and overwhelm the listener by using all the already baroque devices of chromaticism and dissonance.”

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